Ginger   Ann

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Lucille Ball    1911–1989


Lucille Desiree Ball was born on 6 August 1911 in Jamestown, New York, to telephone lineman Henry Durell Ball and his wife Desiree or DeDe. When Lucy was three and a half her mother, Desiree, was pregnant with her second child and her father, Had, was stricken with typhoid fever. On February 28, 1915, Had died of his illness. This left Lucy without a single recollection of what he was like. Kathleen Brady in her book The Life of Lucille Ball quotes Lucy, I do remember everything that happened. . . hanging out the window, begging to play with the kids next door who had the measles. . . the doctor coming, my mother weeping. I remember a bird that flew in the window, a picture that fell off the wall (Brady, 7). That bird became a haunting reminder and decades later stagehands on the I Love Lucy show learned never to put birds on the set; for she would panic in anger. A month before her fourth birthday on July 3, 1915 her little brother, Fred was born. A few years later Desiree married again. This time to Ed Peterson on September 17, 1918. Ed did not like children and wouldn't allow Lucy or Fred to call him daddy. 

After her father's death, Lucille and her brother were raised by their mother and grandparents. Their grandfather often took them to vaudeville shows and encouraged Lucille to audition for roles in her school plays.


Early Career

Finally, at age 11, Lucille reunited with her mother when Desiree and Ed returned to Jamestown. Even then, Ball had an itch to do something big, and when she was 15 she convinced her mother to allow her to enroll in a New York City drama school. But despite her longing to make it on the stage, Ball was too nervous to draw much notice.

"I was a tongue-tied teenager spellbound by the school's star pupil, Bette Davis," said Ball. The school finally wrote her mother, "Lucy's wasting her time and ours. She's too shy and reticent to put her best foot forward."

She remained in New York City, however, and by 1927 Ball, who had started calling herself Diane Belmont, found work as a model, first for fashion designer Hattie Carnegie, and then, after overcoming a debilitating bout of rheumatoid arthritis, for Chesterfield cigarettes.

In the early 1930s, Ball, who had dyed her chestnut hair blonde, moved to Hollywood to seek out more acting opportunities. Work soon followed, including a stint as one of the 12 "Goldwyn Girls" to promote the 1933 Eddie Cantor flick Roman Scandals. She landed a role as an extra in the Ritz Brothers film The Three Musketeers, and then in 1937 earned a sizable part in Stage Door, starring Katharine Hepburn and Ginger Rogers.

Marriage to Desi Arnaz

All told, Ball would appear in 72 movies during her long career, including a string of second-tier films in the 1940s that garnered her the unofficial title "The Queen of B Movies." One of the earliest ones, a movie called Dance, Girl, Dance, introduced her to a handsome Cuban bandleader named Desi Arnaz. The two appeared together in Ball's next film, Too Many Girls, and before the year was out, the pair fell madly in love and married.

For the careful, career-minded Ball, who had periodically been romantically linked to a series of older men, Arnaz was something completely different: fiery, young (he was just 23 when they met) and with a bit of a reputation as a ladies' man. Friends and colleagues guessed the romance between the apparently mismatched entertainers wouldn't last a year.

But Ball seemed drawn to Arnaz's spark, and while her husband's attention sometimes did stray romantically from the marriage, the truth is that during their 20 years together, Arnaz greatly supported Ball's career hopes.

Still, as the late 1940s rolled around, Ball, who had dyed her hair red in 1942 at MGM's urging, was looking at a stagnant movie career, unable to break into the kinds of starring roles she'd always dreamed about. As a result, Arnaz pushed his wife to try broadcasting, and it wasn't long before Ball landed a lead part in the radio comedy My Favorite Husband. The program caught the attention of CBS executives, who wanted her to recreate something like it on the small screen. Ball, though, insisted it include her real-life husband, something the network clearly wasn't interested in seeing happen. So Ball walked away, and with Desi put together an I Love Lucy–like vaudeville act and took it on the road. Success soon greeted the pair. So did a contract from CBS.

On July 17, 1951, one month before her 40th birthday, Ball gave birth to her first child, Lucie Désirée Arnaz.. A year and a half later, Ball gave birth to her second child, Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr. When he was born, I Love Lucy was a solid ratings hit, and Ball and Arnaz wrote the pregnancy into the show. (Ball's necessary and planned caesarean section in real life was scheduled for the same date that her television character gave birth.) There were several challenges from CBS, insisting that a pregnant woman could not be shown on television, nor could the word "pregnant" be spoken on-air. After approval from several religious figures the network allowed the pregnancy storyline, but insisted that the word "expecting" be used instead of "pregnant." (Arnaz garnered laughs when he deliberately mispronounced it as "'spectin'"). The episode's official title was "Lucy Is Enceinte," borrowing the French word for pregnant; however, episode titles never appeared on the show. The country was in an uproar over Lucy’s approaching delivery through the winter of 1952. Even President Eisenhower’s winning of the electoral race in 1952 had to battle for media time against Lucy’s special event. On January 14, 1953, reports flew around that baby Ricardo would be born on the following Monday’s show. Thousands called the studio and the Hollywood Press Office, demanding to know the details. January 19 would be a date to be remembered in the records of television history. Eisenhower’s swearing-in ceremony had an audience of 29 million people, while 44 million watched Lucy Ricardo welcome little Ricky. The birth made the first cover of TV Guide in April 1953. Lucy appeared on the cover of TV Guide 45 times since the first cover for the week of April 3–9, 1953, more than any other star in the history of the magazine.

          'I Love Lucy'

From the get-go Ball and Arnaz knew exactly what they wanted from the network. Their demands included the opportunity to create their new program in Hollywood rather than New York, where most TV was still being shot. But the biggest hurdle centered on the couple's preference to shoot on film rather than the less expensive kinescope. When CBS told them it would cost too much, Ball and Arnaz agreed to take a pay cut. In return they would retain full ownership rights to the program and run it under their newly formed production company, Desilu Productions.

On October 15, 1951, I Love Lucy made its debut, and to the television viewing audience across the country it was immediately apparent this was a sitcom like no other. Bombastic and daring, the show, which co-starred Vivian Vance and William Frawley, as Lucy and Desi's two best friends, set the stage for a generation of family-related sitcoms to come. The program included story lines that dealt with marital issues, women in the workplace and suburban living.

And in perhaps one of the most memorable TV episodes ever, I Love Lucytouched on the theme of pregnancy, when Lucy gave birth to Little Ricky on January 19, 1953, the same day the real-life Lucy delivered her son Desi Jr. by cesarean. (Ball and Arnaz's first child, Lucie, had arrived two years before.)

As the title of the show indicated, Lucy was the star. While she could at times downplay her hard work, Ball was a perfectionist. Contrary to perception, rarely was anything ad-libbed. It was routine for the actress to spend hours rehearsing her antics and facial expressions. And her groundbreaking work in comedy paved the way for future stars such as Mary Tyler Moore, Penny Marshall, Cybill Shepherd and even Robin Williams.

Her genius did not go unrecognized. During its six-year run, I Love Lucy's success was unmatched. For four of its seasons, the sitcom was the No. 1 show in the country. In 1953 the program captured an unheard-of 67.3 audience share, which included a 71.1 rating for the episode that featured Little Ricky's birth, a turnout that surpassed the television audience for President Eisenhower's inauguration ceremonies.

After 'Lucy'

While the show ended in 1957, Desilu Productions continued on, producing more television hits like Our Miss Brooks, Make Room for Daddy, The Dick Van Dyke Show, The Untouchables, Star Trek and Mission: Impossible.

In 1960 Ball and Arnaz divorced. Two years later, Ball, now remarried to comedian Gary Morton, bought out her former husband and took over Desilu Productions, making her the first woman to run a major television production studio. She eventually sold the company to Gulf-Western in 1967 for $17 milllion.

More acting work followed, including a pair of sitcoms, The Lucy Show(1962-68) and Here's Lucy (1968-73). Both achieved a modest level of success, but neither captured the magic that had defined her earlier program with Arnaz. It didn't matter, though. Even if she had never done another piece of acting again, Lucille Ball's impact on the world of comedy and the television industry in general would have been widely recognized.

In 1971 she became the first woman to receive the International Radio and Television Society's Gold Medal. In addition there were four Emmys, induction into the Television Hall of Fame and recognition for her life's work from the Kennedy Center for the Performing Arts.

In 1985, Ball strayed from her comedic background to take on a dramatic role as a homeless woman in the made-for-TV movie Stone Pillow. While it was hardly a smash hit, Ball earned some praise for her performance. Most critics, though, wanted to see her return to comedy, and in 1986 she debuted a new CBS sitcom, Life With Lucy. The program earned its star $2.3 million but not much of an audience. After just eight episodes it was canceled.

It was to be Ball's last real television role. Three years later, on April 26, 1989, she died from a ruptured aorta following open-heart surgery at Cedars-Sinai Medical Center in Los Angeles.

Personal Quotes  

I think knowing what you cannot do is more important than knowing what you can do. In fact, that's good taste.

One of the things I learned the hard way was that it doesn't pay to get discouraged. Keeping busy and making optimism a way of life can restore faith in yourself.

I don't know anything about luck. I've never banked on it, and I'm afraid of people who do. Luck to me is something else: hard work and realizing what is opportunity and what isn't.

The secret of staying young is to live honestly, eat slowly, and lie about your age.

I'm not funny. What I am is brave.

Once in his life, every man is entitled to fall madly in love with a gorgeous redhead.

I'd rather regret the things that I have done than the things that I have not.

A man who correctly guesses a woman's age may be smart, but he's not very bright.

In life, all good things come hard, but wisdom is the hardest to come by.

[About her meeting Desi Arnaz for the first time]: It wasn't love at first sight. It took a full five minutes.

Desi (Desi Arnaz) was the great love of my life. I will miss him until the day I die. But I don't regret divorcing him. I just couldn't take it anymore.

[About Edith Head]: Edie knew the truth about all of us. She knew who had flat fannies and who didn't -- but she never told.

[on Liza Minnelli] She's a great trouper, Liza, I wish I had her talent. If anybody's going to take over from me, it's her. She's got a mind like a trip hammer and huge vitality. She's great.

[on Bob Hope] You spell Bob Hope C-L-A-S-S.

[on Audrey Hepburn] She's a tomboy and a fine comedienne. You'd never think of her being able to do my type of comedy. But she can. She has great energy, frail as she looks. But, well, she's so beautiful, so ethereal, it would be sacrilege to put her through it.
You were taken in charge and trained. They have none of that today any place. I regret the passing of the studio system. I was very appreciative of it because I had no talent. Believe me. What could I do? I couldn't dance. I couldn't sing. I could talk. I could barely walk. I had no flair. I wasn't a beauty, that's for sure.

[on Julie Andrews] I mean, you in Britain have some of the best comediennes. Julie Andrews is a comedienne -- oh yes she is!

[on Buster Keaton] He taught me most of what I know about timing, how to fall and how to handle props and animals.

[Defending her "singing" performance in the film Mame (1974)] Mame stayed up all night and drank champagne! What did you expect her to sound like? Julie Andrews?

I have an everyday religion that works for me. Love yourself first, and everything else falls into line.

[About her friend Maureen O'Hara] Maureen O'Hara is one of the people I love the most out all the people I know.
Give yourself first and everything else will fall into line.

[on Vivian Vance] I find that now I usually spend my time looking at Viv. Viv was sensational. And back then, there were things I had to do-I was in the projection room for some reason, and I just couldn't concentrate on it. But now I can. And I enjoy every move that Viv made. She was something.

Life takes guts.

I died my hair this crazy red to bid for attention. It has become a trademark and I've got to keep it this way.

[About her drama school experience in 1926] I was a tongue-tied teenager spellbound by the schools star pupil - Bette Davis.
I'm grateful for what motion pictures did for me even though, except for on or two pictures, I've never done any I liked.

[on Arnold Schwarzenegger] I take full credit for this man. He's going to become a big star.

[on Hollywood] When they say no, you hear yes. Someone says we can't do this movie, hug them and say thankyou for believing in me.